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Home > Our Faculty > Faculty Profiles > Daniel Rosenberg
Daniel Rosenberg | Associate Professor of History
Office: 223 Chapman
Office Phone: 346-0520
Email:
Office Hours: M 10:00-11:00, T 2:00-3:00, W 10:00-12:00 or by appointment
Website: http://www.uoregon.edu/~dbr
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PROFESSIONAL BIOGRAPHYDaniel Rosenberg is Associate Professor of History in the Robert D. Clark Honors College at the University of Oregon. Professor Rosenberg earned his B.A. in History from Wesleyan University in Connecticut and his M.A. and Ph.D. from the Department of History at the University of California at Berkeley. He has taught at Berkeley and at Stanford University and held fellowships at the Center for Critical Analysis of Contemporary Culture at Rutgers University, the University of California Humanities Research Institute at U.C. Irvine, and the Council of the Humanities at Princeton University. An intellectual and cultural historian, Professor Rosenberg's work focuses on problems of time and representation in eighteenth-century Europe. He has also written extensively on the legacies of the Enlightenment in nineteenth and twentieth-century art, philosophy, and literature. His current project on the history of the timeline is entitled The Graphic Invention of Modern Time.
Professor Rosenberg is editor of Histories of the Future (Duke University Press, 2005) with anthropologist Susan Harding. His other publications include "Joseph Priestley and the Graphic Invention of Modern Time," Studies in Eighteenth-Century Culture 36 (forthcoming); "The Prosthetics of History," in Érase una vez: la modernidad y sus nostalgias (Museo Rufino Tamayo, forthcoming); "Etymology and Its Others," in New Languages for Criticism (forthcoming); "Arts of Memory," in Ahistoric Occasion (MASS MoCA, 2006); "We Have Never Been Interdisciplinary: Etymology and Encyclopedism in the Eighteenth Century and Since," Studies on Voltaire and the Eighteenth Century (2005); "New Freedoms through Computer Screens: Hypertext and the Ends of Enlightenment Narrative," in Histories of the Future (Duke University Press, 2005); "Hétérochronies," Esse: Arts + Opinions (2005); "A Timeline of Timelines," Cabinet 13 (2004); "Early Modern Information Overload," Journal of the History of Ideas (2003); "Mercier's New Words: Language and Revolution," Eighteenth-Century Studies (2003); "One Small Step," Art Journal (2002); "No One is Buried in the Hoover Dam: Modernism and Rumor," in Modernism, Inc.: Body, Memory, Capital (NYU Press, 2001); "An Eighteenth-Century Time Machine: The Encyclopedia of Diderot," in Postmodernism and the Enlightenment (Routledge, 2001); and "Speaking Martian: The Tongues of Hélène Smith," Cabinet 1 (2000). Professor Rosenberg has translated the work of Michel de Certeau, and he is editor at large for Cabinet: A Quarterly of Art and Culture for which he edited a special issue in 2004, on the subject of Futures.
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